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Puhački ansambl Hrvatskog narodnog kazališta Split u petak i subotu 19. i 20. ožujka pod ravnanjem maestra Vetona Marevcija izvest će koncert s djelima francuskih autora s kraja 19. i prvog dijela 20. stoljeća.

Dirigentski je to debi dirigenta Vetona Marevcija pred publikom splitskog nacionalnog kazališta u kojem je od prošle godine angažiran kao dirigent Zbora. Oba koncerta započinju u 19 sati.

Program koncerta otvara Pastorala za puhački septet u B-duru, op.30 Gabriela Piernea (1863 - 1937), francuskog skladatelja i dirigenta, na čiji su skladateljski stil utjecali Massenet, Franck i Saint-Saens, a kasnije i Debussy i Ravel. Pierneova djela su klasična u formi, ali modernog duha. Posebno je bio nadahnut starijim formama francuskih plesova kakva je i Pastorala koja otvara predstojeći koncert.

Slijedi prvi stavak Chanson iz Chanson et dances, Op.50. Vincenta d‘ Indyja (1851 - 1931). Skladatelj, dirigent i profesor, bio je prepoznat kao kompozitor visoke koherentnosti muzičke strukture, uz bogatu paletu orkestralnih boja. Na d‘Indyev stil utjecali su Berlioz i Wagner, a Chanson neodoljivo podsjeća na drugu temu iz poznatog Wagnerovog djela Siegfried-idila.

Koncert zaključuje Petite Symphonie za puhački nonet u B-duru, op. 216 Charlesa Gounoda (1818 - 1893) jednog od najpriznatijih francuskih kompozitora 19. stoljeća, najpoznatijeg po sakralnim djelima i operi Faust. Velik je njegov utjecaj na kasnije skladatelje, posebno one iz francuskog kulturnog kruga. Vodeći je skladatelj francuskog klasičnog repertoara.

Veton Marevci (Karlovac, 1992.) hrvatski je dirigent koji je orkestralno dirigiranje studirao na Muzičkoj akademiji u Zagrebu kod Uroša Lajovica i Mladena Tarbuka. Od 2020. godini dirigent je zbora Hrvatskog narodnog kazališta Split. Sa Zagrebačkom filharmonijom počinje surađivati 2015. godine, a godine 2018., počinje surađivati s HNK u Zagrebu.

Suradnju ostvaruje i sa Simfonijskim orkestrom Hrvatske radiotelevizije i sa Zborom Hrvatske radiotelevizije. Ravnao je i Slovenskom filharmonijom, Dubrovačkim simfonijskim orkestrom te Zadarskim komornim. Godinama je umjetnički voditelj Karlovačkog komornog orkestra, koji pod njegovim ravnanjem prerasta u simfonijski. Od 2013. do 2020. bio je asistent dirigenta u Akademskom zboru Ivan Goran Kovačić.

Usavršavao se na seminarima Colina Mattersa i Aluna Francisa. Uz Ivana Repušića, jedini je dirigent koji je dobio nagradu Mladi glazbenik godine, koju mu je za 2018. dodijelila Zagrebačka filharmonija.

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Puhački ansambl Hrvatskog narodnog kazališta Split u petak i subotu 19. i 20. ožujka pod ravnanjem maestra Vetona Marevcija izvest će koncert s djelima francuskih autora s kraja 19. i prvog dijela 20. stoljeća.

Dirigentski je to debi dirigenta Vetona Marevcija pred publikom splitskog nacionalnog kazališta u kojem je od prošle godine angažiran kao dirigent Zbora. Oba koncerta započinju u 19 sati.

Program koncerta otvara Pastorala za puhački septet u B-duru, op.30 Gabriela Piernea (1863 - 1937), francuskog skladatelja i dirigenta, na čiji su skladateljski stil utjecali Massenet, Franck i Saint-Saens, a kasnije i Debussy i Ravel. Pierneova djela su klasična u formi, ali modernog duha. Posebno je bio nadahnut starijim formama francuskih plesova kakva je i Pastorala koja otvara predstojeći koncert.

Slijedi prvi stavak Chanson iz Chanson et dances, Op.50. Vincenta d‘ Indyja (1851 - 1931). Skladatelj, dirigent i profesor, bio je prepoznat kao kompozitor visoke koherentnosti muzičke strukture, uz bogatu paletu orkestralnih boja. Na d‘Indyev stil utjecali su Berlioz i Wagner, a Chanson neodoljivo podsjeća na drugu temu iz poznatog Wagnerovog djela Siegfried-idila.

Koncert zaključuje Petite Symphonie za puhački nonet u B-duru, op. 216 Charlesa Gounoda (1818 - 1893) jednog od najpriznatijih francuskih kompozitora 19. stoljeća, najpoznatijeg po sakralnim djelima i operi Faust. Velik je njegov utjecaj na kasnije skladatelje, posebno one iz francuskog kulturnog kruga. Vodeći je skladatelj francuskog klasičnog repertoara.

Veton Marevci (Karlovac, 1992.) hrvatski je dirigent koji je orkestralno dirigiranje studirao na Muzičkoj akademiji u Zagrebu kod Uroša Lajovica i Mladena Tarbuka. Od 2020. godini dirigent je zbora Hrvatskog narodnog kazališta Split. Sa Zagrebačkom filharmonijom počinje surađivati 2015. godine, a godine 2018., počinje surađivati s HNK u Zagrebu.

Suradnju ostvaruje i sa Simfonijskim orkestrom Hrvatske radiotelevizije i sa Zborom Hrvatske radiotelevizije. Ravnao je i Slovenskom filharmonijom, Dubrovačkim simfonijskim orkestrom te Zadarskim komornim. Godinama je umjetnički voditelj Karlovačkog komornog orkestra, koji pod njegovim ravnanjem prerasta u simfonijski. Od 2013. do 2020. bio je asistent dirigenta u Akademskom zboru Ivan Goran Kovačić.

Usavršavao se na seminarima Colina Mattersa i Aluna Francisa. Uz Ivana Repušića, jedini je dirigent koji je dobio nagradu Mladi glazbenik godine, koju mu je za 2018. dodijelila Zagrebačka filharmonija.

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HNK Split
HNK Split
Veton Marevci dirigentski će debitirati pred zahtjevnom splitskom publikom
 
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Glazbafrankofoni zvuci

Francuski skladatelji s prijelaza stoljeća u HNK Split na prijelazu tjedna, u izvedbi Puhačkog ansambla pod prvim ravnanjem maestra Vetona Marevcija

Piše R.K.
18. ožujka 2021. - 08:10
Veton Marevci dirigentski će debitirati pred zahtjevnom splitskom publikom<br />  
PREMIUM
Veton Marevci dirigentski će debitirati pred zahtjevnom splitskom publikom  HNK Split

Puhački ansambl Hrvatskog narodnog kazališta Split u petak i subotu 19. i 20. ožujka pod ravnanjem maestra Vetona Marevcija izvest će koncert s djelima francuskih autora s kraja 19. i prvog dijela 20. stoljeća.

Dirigentski je to debi dirigenta Vetona Marevcija pred publikom splitskog nacionalnog kazališta u kojem je od prošle godine angažiran kao dirigent Zbora. Oba koncerta započinju u 19 sati.

Program koncerta otvara Pastorala za puhački septet u B-duru, op.30 Gabriela Piernea (1863 - 1937), francuskog skladatelja i dirigenta, na čiji su skladateljski stil utjecali Massenet, Franck i Saint-Saens, a kasnije i Debussy i Ravel. Pierneova djela su klasična u formi, ali modernog duha. Posebno je bio nadahnut starijim formama francuskih plesova kakva je i Pastorala koja otvara...

#VETON MAREVCI DIRIGENT#HNK SPLIT OPERA#FRANCUSKI SKLADATELJI
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17. svibanj 2024 11:15